2018
Leonard Bernstein - The Harvard Lectures
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Stravinsky: Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King Игорь Фёдорович Стравинский, Michael Wagner
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Stravinsky: Oedipus Rex: Act I: "Caedit nos pestis" Леонард Бернстайн, Игорь Фёдорович Стравинский
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Stravinsky: Oedipus Rex: Act I: "Respondit Deus" Леонард Бернстайн, Игорь Фёдорович Стравинский
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Stravinsky: Oedipus Rex: Act I: "Gloria!" Леонард Бернстайн, Игорь Фёдорович Стравинский
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Stravinsky: Oedipus Rex: Act II: "Ego senem cecici" Леонард Бернстайн, Игорь Фёдорович Стравинский
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Stravinsky: Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow Игорь Фёдорович Стравинский, Michael Wagner
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Stravinsky: Oedipus Rex: Act II: "Nonne monstru rescituri" Леонард Бернстайн, Игорь Фёдорович Стравинский
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Stravinsky: Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog Игорь Фёдорович Стравинский, Michael Wagner
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Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote Леонард Бернстайн
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Vol. I - Musical Phonology: Universality is a Big Word Леонард Бернстайн
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Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic Changes Леонард Бернстайн
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Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age Леонард Бернстайн
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Vol. I - Musical Phonology: Do you Realize Леонард Бернстайн
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Vol. II - Musical Syntax: Amen, says Noam Chomsky Леонард Бернстайн
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Vol. II - Musical Syntax: All Right, Let's Try Another One Леонард Бернстайн
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Vol. II - Musical Syntax: Tranformational Grammar Леонард Бернстайн
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Vol. II - Musical Syntax: Good - Now Just as Three Notes are Linked Together Леонард Бернстайн
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Vol. II - Musical Syntax: Now We Are Ready Леонард Бернстайн
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Vol. II - Musical Syntax: Well, Transformation, Deletion, Embedding, Pronominalization Леонард Бернстайн
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Vol. II - Musical Syntax: I Am Sure I Don't Have to Trouble Леонард Бернстайн
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Vol. II - Musical Syntax: Mozart's G Minor Symphony Леонард Бернстайн
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Vol. II - Musical Syntax: What Does this Three-Note Design Mean Леонард Бернстайн
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Vol. II - Musical Syntax: Most People Hearing Mozart's Opening Леонард Бернстайн
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Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt Леонард Бернстайн
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Vol. III - Musical Semantics: In Fact, it Has Been Authoritatively Suggested Леонард Бернстайн
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Vol. IV - The Delights and Dangers of Ambiguity: So it is After All Not So Surprising Леонард Бернстайн
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Roméo and Juliet, A Dramatic Symphony, Op. 17: Réunion des duex Themes, du Larghetto et de l'Allegro Леонард Бернстайн, Гектор Берлиоз
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Vol. IV - The Delights and Dangers of Ambiguity: Quite Unconsciously Borrowed Леонард Бернстайн
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Vol. IV - The Delights and Dangers of Ambiguity: Prelude and Love-Death (From "Tristan and Isolde") Леонард Бернстайн, Рихард Вагнер
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Vol. IV - The Delights and Dangers of Ambiguity: Poetry Has Begun to Show Леонард Бернстайн
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Vol. IV - The Delights and Dangers of Ambiguity: In Fact, the Ending of this Piece Леонард Бернстайн
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Vol. IV - The Delights and Dangers of Ambiguity: Let Me Show You Briefly Леонард Бернстайн
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Vol. IV - The Delights and Dangers of Ambiguity: It's Almost Exactly What Happens Леонард Бернстайн
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Vol. V - The Twentieth Century Crisis: Trouble is, That the New Musical Rules Леонард Бернстайн
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Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto (Excerpt) Леонард Бернстайн, Альбан Берг
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Vol. V - The Twentieth Century Crisis: Fantastic Леонард Бернстайн
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Vol. VI - The Poetry of Earth: But It Was Precisely Леонард Бернстайн
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Vol. VI - The Poetry of Earth: Now I Have Just Used Two Words Леонард Бернстайн
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Vol. VI - The Poetry of Earth: And While You Are in That Record Shop Леонард Бернстайн
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Vol. VI - The Poetry of Earth: You Can See How the Transformation Леонард Бернстайн
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Vol. VI - The Poetry of Earth: But This Neoclassic Approach Леонард Бернстайн
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Vol. VI - The Poetry of Earth: Chilling, Shattering, Neoclassic Леонард Бернстайн
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Stravinsky: Oedipus Rex: And I Believe Леонард Бернстайн
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